Installation view, Other Mythologies (solo), curated by Simona Vidmar, UGM Maribor Art Gallery, Maribor, 2008

Film & Video

Other Mythologies

2009

A simulated transit space merges historical frescoes and fictional geographies to reveal how national narratives are constructed through the unstable interplay of fact, myth, and desire.

Installation view, Other Mythologies (solo), curated by Simona Vidmar, UGM Maribor Art Gallery, Maribor, 2008

Other Mythologies brings together and reconfigures two of Jasmina Cibic’s earlier projects—Dictionary of Imaginary Places and In the Gorges—within the specific architectural and historical context of Maribor Art Gallery. Installed in a former monastic church, the work engages directly with the building’s 19th-century frescoes, which depict imagined Austro-Hungarian battles that never occurred. These paintings already blur fact and fiction, offering a historical precedent for the construction of national mythologies through visual representation.

Cibic extends this logic into a contemporary setting by transforming the gallery into a simulated transit space. At its centre is a large-scale video projection of Ljubljana Airport’s departures/arrivals board, altered to display fictional destinations drawn from The Dictionary of Imaginary Places—a compendium of invented locations from world literature. Surrounding this are tiled surfaces bearing drawings of imaginary Balkan landscapes, produced in collaboration with a former police sketch artist and based on Karl May’s In the Gorges of the Balkans.

Originally realised as an intervention at Brnik Airport, Dictionary of Imaginary Places replaced real flight destinations with fictional ones without informing passengers, momentarily disrupting the authority of the airport as a system of factual information. By inserting imaginary geographies into a highly regulated space, the work exposed the extent to which travel is shaped as much by desire and projection as by logistics.

Re-staged within the gallery, these elements create a layered environment where historical myth-making, bureaucratic systems, and contemporary forms of mobility intersect. The installation foregrounds how images—whether in frescoes, literature, or information systems—construct shared realities, revealing the unstable boundary between fact and fiction in the formation of cultural and national narratives.

Dictionary of Imaginary Places, two-channel HD video, stereo

Video excerpt

Publications

Petja Grafenauer The beauty of ideology 2013
Nataša Petrešin-Bachelez Airport Projects 2009

In her essay, Nataša Petrešin-Bachelez reads Jasmina Cibic’s Airport Projects and Other Mythologies through the interplay of fiction, perception, and political context.

She highlights how Cibic constructs situations rather than fixed objects, blurring the boundary between reality and imagination. Focusing on interventions at Ljubljana Airport, Petrešin-Bachelez shows how the insertion of fiction into real airport systems exposes how everyday experiences are shaped by projection and control.

She emphasises Cibic’s use of documentation as a performative space, where authorship and authenticity are destabilised. Through these strategies, the work reveals how both art and politics operate through the production and circulation of constructed and unstable realities.

Simona Vidmar Airport Projects / Interview, monograph publication Airport Projects, published by UGM Gallery Maribor 2009

The interview between Jasmina Cibic and curator Simona Vidmar reflects on Cibic’s Airport Projects, a long-term body of work situated in airports as “non-places” defined by anonymity, transit, and suspended identity. The conversation explores how these spaces allow the artist to stage interventions that question the construction of experience, authority, and spectatorship, shifting the viewer from a traditional museum audience into roles such as tourist, passer-by, or participant. Cibic discusses her use of performative actions, delegated authorship, and fictionalised narratives to fabricate new experiences rather than simply represent reality, while also addressing how artworks transform when translated from site-specific contexts into documentation or exhibition formats.

The interview was published as part of Jasmina Cibic’s broader Airport Projects research and accompanying publication, which brings together her investigations into airports as ideological and experiential frameworks, examining how globalised spaces shape perception, identity, and the politics of viewing.